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LunaCognita

Started by zorgon, December 01, 2011, 01:30:40 AM

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zorgon

#15
  LunaCognita

Apollo 11 Ascent From Tranquility Base
rotation-corrected for proper "horizon up" viewing
Dec 31, 2010


This presentation shows the 16mm Data Acquisition Camera (DAC) footage that was shot during the Apollo 11 ascent from Tranquility Base. In this ascent footage, the DAC motion picture camera was mounted in the right side forward-facing (LMP) window of the Apollo 11 Lunar Module "Eagle", providing us a view looking down at the Moon's surface as the LM ascent stage fires and sends the spacecraft on its way back up to lunar orbit for rendezvous and docking with the CSM "Columbia".

Rather than just showing the raw footage here as it is cataloged in the NASA film archives, I instead show the footage in a rotation-corrected format in order to always keep the scene in it's proper "horizon up" viewing orientation throughout the duration of the clip. This proper "horizon up" perspective can be established based on some simple visual criteria, with the goal being to ensure we are viewing the footage with the lunar surface being shown so that the Moon's horizon that is closest to the camera's current principle point always remains aligned and level towards the top of the field-of-view (even if the horizon itself is not actually visible at the time). This ensures that the surface scene you are viewing can be accurately interpreted.

As you can see in this footage, the rotation correction to align the scene to the "horizon up" viewing perspective is an absolutely vital adjustment that must be applied first in order to be able to even begin attempting to analyze and interpret scenes such as this one accurately. Because the DAC camera was hard-mounted in the window of the LM during liftoff from the lunar surface, this meant that the standard locked display perspective that NASA provides in their archive clips showing the Apollo ascent footage is ALWAYS displaying the lunar surface scene below in an inaccurate perspective. For over 40 years, the public has actually been watching ascent footage like this from the various Apollo missions where the lunar surface after liftoff is being shown essentially upside down (between 135 to 180 degrees off of the "horizon up" viewing perspective).

The point to this simple presentation is to merely serve as a reminder to everyone who is interested in doing their own analysis of ANY of the Apollo DAC footage or still frames of the lunar surface to always consider the question of "what is the proper viewing perspective for each scene?" The ugly fact is that the vast majority of the Apollo DAC footage and still frames, as they are archived by NASA, are not presenting their lunar surface scenes to you in anything close to the proper "horizon up" viewing orientation that our eyes expect to see. Obviously, unless this improper viewing perspective is corrected for first, you have very little chance of being able to analyze the scenes you are looking at with any degree of accuracy at all.

In addition to the rotation-correction, I also was forced to make several frame-rate adjustments to this Apollo 11 DAC footage, and the reason for that is because just before the four-minute mark after liftoff, the 16mm DAC camera suddenly alters it frame exposure rate, switching from 12 frames-per-second (the proper declared setting for filming the liftoff and ascent) down to 6 fps. I have no idea how or why this sudden frame-rate setting change occurs, because adjusting the DAC camera's fps setting "on the fly" was certainly not one of LMP Buzz Aldrin's checklisted duties during ascent, and I see no mention in the Apollo 11 mission and post-mission reports to account for this anomalous occurrence. The Apollo 11 ascent footage, as it is archived by NASA, makes no attempt to correct for (or even draw attention to) this sudden step-down in frame-rate, which results in the raw archive footage appearing to suddenly show a doubling of the playback speed. In addition to this, NASA typically renders their HD digital DAC archive at 29.97 NSTC, resulting in further interpolation stretching being introduced in the digital footage.

I have attempted to correct for this effect here in order to ensure that the playback rate of the DAC footage accurately matches the accurate timeframe that I was able to establish using the accompanying raw mission audio track and flown liftoff&ascent charts - essentially using the accurate audio timeline to re-synchronize the inaccurate video playback rate so they match up correctly for the duration of the nearly 10-minute complete sequence of footage showing the Apollo 11 ascent from Tranquility Base.

Cheers everyone,
LC


zorgon

#16
  LunaCognita

Apollo 14 Descent & Landing at Fra Mauro
16mm DAC footage (perspective-corrected with audio)
Jan 25, 2011


In this presentation, we will look at the perspective-corrected 16mm Data Acquisition Camera (DAC) footage that was shot during the Apollo 14 descent and landing on the lunar surface at Frau Mauro. For the duration of this descent footage, the DAC motion picture camera was mounted in the right side forward-facing (LMP) window of the Apollo 14 Lunar Module "Antares", providing us a view looking down at the Moon's surface from pitchover till touchdown. I also included the synchronized approach & landing mission audio as well, letting you hear the chatter between CDR Alan Shepard, LMP Edgar Mitchell, and CapCom Fred Haise.

Rather than just showing the raw footage here as it is cataloged in the NASA film archives, I instead show the footage in a rotation-corrected format in order to always keep the scene in it's proper "horizon up" viewing orientation throughout the duration of the clip. This proper "horizon up" perspective can be established based on some simple visual criteria, with the goal being to ensure we are viewing the footage with the lunar surface being shown so that the Moon's horizon that is closest to the camera's current principle point always remains aligned and level towards the top of the field-of-view (even if the horizon itself is not actually visible at the time). This ensures that the surface scene you are viewing can be accurately interpreted.

As you can see in this footage, the rotation correction to align the scene to the "horizon up" viewing perspective is an absolutely vital adjustment that must be applied first in order to be able to even begin attempting to analyze and interpret scenes such as this one accurately. Because the DAC camera was hard-mounted in the window of the LM during liftoff from the lunar surface, this meant that the standard locked display perspective that NASA provides in their archive clips showing the Apollo descent and touchdown footage is ALWAYS displaying the lunar surface scene in an inaccurate perspective. For over 40 years, the public has actually been watching descent footage like this from the various Apollo missions where the lunar surface is being shown inaccurately.

The point to this simple presentation is to merely serve as a reminder to everyone who is interested in doing their own analysis of ANY of the Apollo DAC footage or still frames of the lunar surface to always consider the question of "what is the proper viewing perspective for each scene?" The ugly fact is that the vast majority of the Apollo DAC footage and still frames, as they are archived by NASA, are not presenting their lunar surface scenes to you in anything close to the proper "horizon up" viewing orientation that our eyes expect to see. Obviously, unless this improper viewing perspective is corrected for first, you have very little chance of being able to analyze the scenes you are looking at with any degree of accuracy at all.

Cheers everyone,
LC


zorgon

  LunaCognita

NASA's Anomalies above the Moon
UFOs captured on film during the Apollo Program
Mar 11, 2011


This presentation is a simple compilation of some more anomalous photographs and 16mm DAC film footage that I have archived during my years of research and investigation looking into the activities of the National Aeronautics and Space Administration.

The images and footage shown here were taken during the Apollo program, filmed by the astronaut flight crews during their journeys to and from the Moon.
Most of what I show here involves "lunar transients" - unidentified objects in space that were captured on film as they transited in front of (or passed near) a celestrial body such as the Moon or Earth. I believe many of these objects are not on the lunar surface, but rather were above the lunar surface when captured on film.

I also include several examples of NASA image obfuscation as well, just to help highlight the fact that the space agency also removes anomalous objects from frame in order to "sanitize" scenes prior to official archive release so as to ensure they do not reveal too much of the truth about what is really up there.

Hope you enjoy!
Cheers,
LC

Here are a few links to the last set of images I show, dealing with the detection of cropping obfuscation being employed to sanitize the scenes
.
NASA "Gateway" archive link to frame#AS11-36-5319 - shows object off the Earth's limb.

Astronaut Photography of Earth - Display Record AS11-36-5319

NASA "LPI" archive version of #AS11-36-5319 that does not show the object (residue of the cropping is detectable under enhancement)



Cropping proof - second last image shown (AS16-118-18873).

Cropping proof - Last image shown (AS13-60-8588).



zorgon

  LunaCognita

NASA Apollo Image Anomalies Pt.2
More unidentifed objects on and above the Moon
Mar 28, 2011


Hello everyone. Since I received such a positive reaction to my last video - [above post] - I decided to continue the compilation theme here with this new production, highlighting a few more Apollo image anomalies that I have cataloged over my years of researching this incredible subject matter.
Hope you enjoy!

REGARDING FRAME 20680 - the "PYRAMID" frame from Apollo 17 (the very last image I show in this presentation) - here below is a link where you can read my direct rebuttal to the skeptic claims that the "Pyramid" frame from Apollo 17 (20680) is actually just showing a part of the LRV during EVA2 @ Nansen. That debunker claim is entirely inaccurate, and the fully verifiable evidence I provide you at this link PROVES that you have been grossly and deliberately misled by NASA and the ALSJ online archive website as to the true "where and when" that frame 20680 was actually exposed.

EDIT - Sorry gang, the entire MagicUFOForum where this evidence was posted has for some reason that I am unaware of been removed from the web entirely, without even the Google cache links working any longer. All the evidence I and others had posted to that forum over the past year and a half (including the evidence regarding this Pyramid frame) has been removed from the Web entirely!

I will post a new link to that evidence as soon as I find a new forum or blog where I can re-post it to. I just want you to be aware I am trying to hide any evidence here by deliberately sending you to a dead link, and in the meantime anyone who wants a copy of my rebuttal can feel free to email me at lunacognita@gmail.com and I will be happy to send it to you directly that way.

After you understand the facts and see with your own eyes the provable, verifiable cataloging games NASA played with that Pyramid frame in order to bury it in the archives for decades, it might make you wonder why a site like the MagicUFOForum, where this kind of evidence and explanation was originally posted, no longer exists to be viewed by anyone. Sometimes telling the truth can have consequences!

Cheers everyone, and I apologize again that the link to that evidence I posted on the MagicUFOforum is now dead.

LunaCognita


zorgon

  LunaCognita

UFOs In Outer Space (short trailer)
Jul 10, 2011


Hello everyone.
I am pleased to announce that Jose Escamilla and I have decided to get together and collaborate on a brand new feature-length documentary project. Currently in production, this film will be narrated by Dr. Roger Leir, and will focus on examining some of the stunning official NASA/DoD archive evidence from the past half-century showing unidentified objects that were filmed above our planet's atmosphere in outer space.

Since mankind's earliest days of space exploration, NASA's national security obligations they are forced to adhere to leave the space agency no choice but to conceal from the public the truth about what is really up there. Luckily though, as thorough as NASA censorship protocols are, they have not been 100% effective at removing or obfuscating the truth from the public record entirely. Scattered throughout the archives, plenty of evidence remains that points to a reality far more incredible than the public has ever been told, or that NASA/DoD have ever admitted to. Examining that evidence is what this documentary is going to be all about.

Rest assured that some of the archive evidence that you will see in this documentary has never been publicized before. We will be showing evidence of anomalous objects that were observed and captured on film above our atmosphere from every era of the space race - Project Mercury, Gemini, Apollo, Skylab, ASTP, STS-shuttle and ISS, as well as evidence from unmanned projects as well.

Stay tuned for more information about when and where this documentary will be available.

Cheers everyone,
Cary Martynuik
(LunaCognita)


zorgon

  LunaCognita

NASA's Apollo 17 "Hand Job"
More evidence of the Apollo lies
Sep 4, 2011


In this presentation, we will be taking a comprehensive look at an evidence contradiction from the Apollo 17 mission. Specifically, the discrepancies in NASA's Apollo 17 mission archives highlighted here are related to the hand and finger injuries that astronauts Cernan and Schmitt suffered during their 22 hours and 4 minutes of EVAs outside on the lunar surface.

We begin here by first examining the official NASA archive evidence from Apollo 17 (evidence recorded both during and after the mission) to conclusively demonstrate that the idea of "significant hand trauma" suffered by the Apollo moonwalkers due to the design limitations of their EV pressure gloves was most definitely a very serious and recognized problem that could not be avoided. That evidence is important to appreciate because it clearly establishes both the legitimacy and severity of the declared hand and finger trauma that Apollo 17 astronauts Cernan and Schmitt both extensively admit to suffering from.

The presentation then moves on to more closely examining the discrepancies between what the official historical record tells us happened to Cernan and Schmitt's hands during the mission versus what we see (or rather, do not see) in the available mission archive image evidence. As this examination will show you, the descriptive testimony from Cernan and Schmitt regarding their hand and finger trauma simply does not appear to match the official NASA photographic public archive evidence from their mission.

This evidence does not mean that Apollo 17 astronauts Cernan, Schmitt and Evans did not journey to the Moon. I personally do not doubt at all that Cernan and Schmitt landed on the lunar surface and walked around up there, and I am also quite sure that the hand and finger trauma they so vividly describe suffering was real and most definitely did occur.

What really happened during the Apollo Program was a multi-faceted series of lies that were designed to protect the "greater truths" about those missions by hiding them from the public behind a well-built cover-story veil - the implementation of which was covertly justified by the Powers That Be under the auspices of "maintaining global security and stability".

This evidence shown here in this presentation is highlighting just one discrepancy of many that exist in the public Apollo archives, and it helps to further demonstrate that the official historical record claims of what happened (and when) during the Apollo Program is not necessarily the "complete and uncensored" truth that so many still believe it to be.

For anyone interested in checking the accuracy of the claims I make in this video, here below is a link to the official Apollo 17 Photographic Index from the NASA archives. In this document, you can see that all the 35mm imagery I show in this presentation was indeed exposed during "TEC" (Trans-Earth Coast), which was during the return journey to Earth after the moonwalks had already taken place.

Cheers everyone,
LunaCognita